I’m known to my friends as someone who isn’t always keen on Korean dramas, as much as I (appear to) like all things Korean. The one thing about dramas is that it takes too long to follow and sometimes it’s just so irritating to see the end of one episode and then have to wait for a while for the next episode to see how things unfold. But lately I’ve been watching a couple of dramas and I thought watching dramas sometimes isn’t too bad a thing.
Recently I’ve started watching 별에서 온 그대 (He Who Came From The Stars) after I heard that it was pretty good. To be honest, the thing that got me interested in watching this was Jeon Jihyun, who was making her return to dramas after a long while – to be honest I’ve always known her to star in movies only, so it’s always refreshing to see her in a drama. And I must say that her acting skills are probably the most outstanding among everyone in the drama – of course she had to be – and I believe the effect just wouldn’t be the same if it was somebody else. As for the rest of the cast, I would say that they are OK. Can’t say they are fantastic, but good enough. However I was slightly peeved about the character that Yoo Inna was playing – I actually like Yoo Inna, but somehow in this drama she is giving me the goosebumps. Probably because she is portraying a character with two faces, and the irritating thing was that she was portraying it so well! But of course, I’ve heard people say that her acting skills has never improved since “Secret Garden” (which to some extent I think is true too), but I guess because she’s acting opposite Jeon Jihyun, so the contrast is just there. The story line of the drama is pretty interesting, and I think I can’t really wait for the end of the whole series!
To be honest, the last few dramas that I’ve watched have all been Korean ones. Again, it’s not like I only like Korean ones, but it’s just that the dramas from other places don’t seem to interest me the way the Korean ones do. I mean, I do think that the Korean scriptwriters nowadays do have something that scriptwriters from other places do not have. For example, for a nostalgic drama, 응답하라 1994 was amazing (actually 응답하라 1997 was amazing too). To be able to find all those things that were in use back in 1994, including magazines of those days, posters, pagers, etc, showed that the crew had made such a detailed effort in portraying the events back then. And even for things they can’t find or replace, at least they made an effort to mask it up (for example, the Seoul Station sign on the old Seoul railway station in which Samchunpo was standing in front of when he arrived in Seoul). Recently Hong Kong also had a drama that dealt with a nostalgic theme, but it was being slagged off all over the place for the poor attention paid towards details. For example, there was a scene in which Kobe Bryant appeared in a sports shop advertisement, when the year portrayed was 1991 (Kobe was 11 then); and then there was a scene in 2001, the main character was using a computer with Windows 7 installed on it (it wouldn’t be wrong if it was Windows XP, but most people would probably be still using either Windows ME or Windows 98). It’s like, from these small details you can tell how unprofessional some of these Hong Kong drama makers are. Sometimes I do think, some people have only themselves to blame when people stop watching their shows. And I don’t even want to start talking about variety shows, as well as the music scene.
The worst thing is, some people in the Hong Kong entertainment industry still have not woken up yet. Collaborating with China is fine, but when even China is churning out better movies, better dramas and better music, Hong Kong is just going to lose out, and you can’t blame people about not watching your shows any more.



